Tag: Venice

  • Meet Owen Findlay: the new voice of Arnold Clover

    Meet Owen Findlay: the new voice of Arnold Clover


    It’s time to unveil a new narrator for my Arnold Clover books. I’ve been incredibly lucky to have Richard Armitage as the voice of my work going back more than a decade to the Audible days of Hamlet and Romeo and Juliet.

    After that Richard made a stunning job of The Garden of Angels and the first three Clover books. But happily Richard’s career has gone sky-high since then, with acting, writing and a busy round of appearances. It’s amazing he’s found time in the past for me at all.

    I’m really grateful for all the support he’s shown over the years, and the lessons I’ve learned about storytelling listening to him narrate and watching him act.

    But time moves on so meet Arnold’s new voice… the very talented Owen Findlay. 


    Owen has voiced a number of audiobooks and dramas for Audible, Bolinda, BBC Radio 4 and others; appeared on stage with the RSC, National Theatre and Shakespeare’s Globe; and on screen with BBC Films.

    He’s also well versed in Italian too, so a perfect voice to take over the role of bringing my Venetian tales to life.

    And here you can listen to Owen at work…

    The audiobook of The Devil in Dorsoduro will be published simultaneously with the ebook and print editions on May 7, by WF Howes, who’ve been bringing me out in audio for something like a quarter of a century now and always do a fantastic job. You can pre-order in all the usual places now including Audible.

  • Your November Venice challenge… hunt the castradina

    Your November Venice challenge… hunt the castradina

    There’s a pivotal scene in The Four Deadly Seasons that, like much of the book, is based on Venetian reality. Arnold Clover has been growing closer to Mia Haas, the woman who’s employed him to research Vivaldi’s supposed memoirs. Over a very unusual meal at a lovely, real restaurant near San Giacomo dell’Orio, the relationship suddenly becomes more serious.

    The timing of this scene is crucial. It takes place during the Festa della Salute which happens every year on November 21. Venice has lots of festivals, but Salute is probably one of the most local and the most moving.

    In 1630 a terrible plague hit the city, killing around 40,000 people, a quarter of the population. Among the victims were the Doge, Nicolò Contarini, and Giovanni Tiepolo, the Catholic patriarch. The great basilica of Santa Maria della Salute, at the mouth of the Grand Canal, was built to give thanks to the Virgin Mary for the lifting of the plague. Each year, for centuries, a temporary bridge has been erected to allow people to cross the Grand Canal and reach Salute directly.

    There they can light candles asking the Virgin to protect their loved ones. It’s a sombre, quietly emotional event. I was there in November 2021 when the pandemic, another deadly plague for Italy, was in abeyance. I can still remember the extraordinary atmosphere inside Salute. Here’s a snippet of video I recorded that year, and another shot of the event is at the head of this post.

    Venice is a city that loves its traditions, cultural landmarks that are strictly tied to the historic events that prompted them. In England you can buy mince pies in September, and hot cross buns almost all year round. The links that once bound tradition to specific dates are mostly gone. But not in Venice. You can only find frittelle during February for Carnival. And the period around the Festa della Salute is the only time you’ll see a uniquely Venetian dish on local menus, castradina, a speciality that goes right back to that terrible plague of 1630.

    There are, as always, varying accounts for its origins. The convincing one for me is the most obvious: Venice was in quarantine, unable to receive much in the way of fresh produce. So it had to use what it had already, in this case a supply of salted, smoked mutton already shipped in from across the Adriatic… castradina.

    Soon you’ll start to see those mutton legs hanging up in butcher’s shops across the city. They’re not terribly pretty to look at but this is tradition for the locals, not something looking for the tourist euro.

    Now castradina only becomes available about a week before the 21st and doesn’t stay around long after. So I can’t say in all honesty you will see it everywhere during Venice Noir weekend. But one place I can guarantee you will find it is the very restaurant I used in that scene from The Four Deadly Seasons.

    The Trattoria all Ponte del Megio has been serving genuine Venetian food from its delightful position by a little bridge since 1928. It’s in a lovely spot in a quiet corner of Santa Croce. The trattoria had been planning to serve castradina from the 15th. But as a special favour to Venice Noir it will now be available from Friday the 14th so you may find it makes a great place for lunch before the start of Venice Noir proper, and maybe meet a few other festival goers too. If I have the time I may make it there myself.

    And you’re doubtless thinking… hang on this is a local speciality made with something I never knew existed, salted smoked mutton. Must cost a fortune… Well, no. At the Ponte del Meglio it will be just €15 per person, and available for two weeks from the 14th. With a nice glass of red wine you will be set up for the day for around €20 I’d say.

    What’s it like? Well really you have to try it to know. This, remember, is a dish that was invented during quarantine and a plague. It’s not haute cuisine. This is the genuine cucina povera. I’m no food writer but I’d describe it as a very hearty soup cum stew, winter vegetables, a very real meaty stock, and chunks of mutton in there. For me it’s a perfect hearty lunch for one of those crisp winter days you get in Venice in November, and when I ate at the Ponte del Meglio I was lucky enough to sit outside next to a couple of cheery gondoliers downing a couple of bowls too. If you have the time on the 14th it could be a great way to start the day before Venice Noir proper begins. And go home knowing you’ve sampled a dish you won’t find anywhere else in Italy pretty much, and for only a couple of weeks each year.

    Here’s an amusing video about Castradina – it’s in Italian but you can switch the subtitles to English. I love the fact he’s cooking with a spoon in one hand and a glass of wine in the other — my sort of chef!

  • A cocktail evening in Venice with Ian Rankin

    A cocktail evening in Venice with Ian Rankin

    Venice Noir is fast approaching so if you’re interested in our new book festival I hope you’ve signed up for our newsletter at www.venicenoir.com.

    All of the principal events are free but we are now adding some interesting extras for those of you who want to make it a very special November weekend.

    Here’s the first. At 7pm on Friday November the 14th I will be introducing our guest of honour Ian Rankin at a small, informal cocktail reception in the lovely boutique hotel of Ca’ Pisani next to the Accademia gallery on Dorsoduro. We’ll talk about Ian’s work and life and latest books. There’ll be some splendid Venetian cocktails, spritz, Negroni and non-alcoholic offerings too, along with finger food and some of the local cicchetti snacks unique to the city. 

    This will be a small-scale event with the tickets strictly limited to a maximum of thirty. So if you’d like to come and take part I’d suggest you get in quick and book now. Tickets cost €30 per person including cocktail and food, a bargain alone in a place like Ca’ Pisani even without one of the most popular authors in the world as the star attraction. To get your ticket please email the hotel direct at ristorazione@capisanihotel.it.

    Ca’ Pisani is one of our partner hotels. A lovely spot and a very convenient location. There is a discount on hotel rooms for the festival available on the Ca’ Pisani website by entering the code: VENICENOIR, which gives you a 15% discount on the Flex and Bed and Breakfast rates.

  • Introducing Arnold Clover and a new series set in Venice

    The Medici Murders is out in the UK and the US in hardback next week (October 4), the first in what I hope will become a long-running series set in Venice and featuring a very unusual protagonist. It’s time I issued what I suspect, in the language of the day, ought to be called a trigger warning. If it’s one of those lightning-paced, breathless, heart-pounding read-in-a-flash thrillers you’re after, you should probably look elsewhere.

    With this book, and those that follow with the same characters, I’m out to do something different.

    You can get a glimpse of what I’m going to talk about when I tell you Arnold Clover, the protagonist, is a newly retired civil servant from the National Archives at Kew outside London. A quiet, intelligent, inquisitive man with a name I picked because I wanted something a million miles from a standard action hero.

    (more…)

    The Medici Murders is out in the UK and the US in hardback next week (October 4), the first in what I hope will become a long-running series set in Venice and featuring a very unusual protagonist. It’s time I issued what I suspect, in the language of the day, ought to be called a trigger warning. If it’s one of those lightning-paced, breathless, heart-pounding read-in-a-flash thrillers you’re after, you should probably look elsewhere.

    With this book, and those that follow with the same characters, I’m out to do something different.

    You can get a glimpse of what I’m going to talk about when I tell you Arnold Clover, the protagonist, is a newly retired civil servant from the National Archives at Kew outside London. A quiet, intelligent, inquisitive man with a name I picked because I wanted something a million miles from a standard action hero.

    (more…)

    The Medici Murders is out in the UK and the US in hardback next week (October 4), the first in what I hope will become a long-running series set in Venice and featuring a very unusual protagonist. It’s time I issued what I suspect, in the language of the day, ought to be called a trigger warning. If it’s one of those lightning-paced, breathless, heart-pounding read-in-a-flash thrillers you’re after, you should probably look elsewhere.

    With this book, and those that follow with the same characters, I’m out to do something different.

    You can get a glimpse of what I’m going to talk about when I tell you Arnold Clover, the protagonist, is a newly retired civil servant from the National Archives at Kew outside London. A quiet, intelligent, inquisitive man with a name I picked because I wanted something a million miles from a standard action hero.

    (more…)

    The Medici Murders is out in the UK and the US in hardback next week (October 4), the first in what I hope will become a long-running series set in Venice and featuring a very unusual protagonist. It’s time I issued what I suspect, in the language of the day, ought to be called a trigger warning. If it’s one of those lightning-paced, breathless, heart-pounding read-in-a-flash thrillers you’re after, you should probably look elsewhere.

    With this book, and those that follow with the same characters, I’m out to do something different.

    You can get a glimpse of what I’m going to talk about when I tell you Arnold Clover, the protagonist, is a newly retired civil servant from the National Archives at Kew outside London. A quiet, intelligent, inquisitive man with a name I picked because I wanted something a million miles from a standard action hero.

    (more…)