Category: Writing

  • Venice comes to Harrogate

    Venice comes to Harrogate

    If you’re coming to the great Theakstons Crime Festival at Harrogate next month please put 1pm on Saturday in your diary. That’s when we’ll be announcing the programme for Venice Noir 2026… and quite a few surprises along the way.

    I’ll be there along with Philip Gwynne Jones. Erin Kelly and Noir’s resident pathologist and Venice fan Dame Suzy Lishman talking about the authors who are coming, what they’ll be discussing, the amazing venues we have, and how to make the most of a weekend of free events in one of the world’s most amazing cities. And we’ll all be around for a chat afterwards too.

    Hope to see some of you there. Please note you need to reserve and there is a £5 booking fee (Harrogate’s not ours).

    More info here…

  • A chat with Owen Findlay, the new voice of Arnold Clover

    A chat with Owen Findlay, the new voice of Arnold Clover

    My expat Englishman in Venice sounds a bit different in The Devil in Dorsoduro, Arnold’s fourth outing just released in ebook, print and audio. The actor Owen Findlay has taken over from Richard Armitage as the series narrator for WF Howes.

    I sat down for a chat with Owen to talk about what it’s like to follow a giant of the audio world like Richard, how he goes about tackling a project like this, and his approach to narration in general. Owen speaks Italian, which is very obvious from his fantastic work on the book.

    I hope this gives audiobook lovers an insight into the vast amount of effort that goes into the making of audio, and tempts you to listen to Owen’s sterling work. You can listen to Owen’s narration on the landing page for the audiobook here.

    I should also say how grateful I am for the fantastic work Richard has done with my words over the last decade since Hamlet and Romeo and Juliet for Audible, then The Garden of Angels, The Medici Murders, The Borgia Portrait and The Four Deadly Seasons for WF Howes. His talent and the chats we’ve had over years have reshaped my own writing, and it’s been a delight to watch his own career rise to stage, screen and now being an author too.

    I was very lucky to have him before he became the audio star he is now. And I feel very much the same way about the equally talented Owen.

    By the way I’m up to number four in Amazon’s International Mystery charts this morning. Many thanks to all of you who put me there. It’s a pleasure to have my mate Philip Gwynne Jones in there too… especially as he’s two places behind me 😂

  • Venice Noir 2026…. a peek at what’s to come

    Venice Noir 2026…. a peek at what’s to come

    We’ve been working hard on this year’s Venice Noir festival so now it’s time to let you all see a little of what we’ve got in store for four exciting days from November 12. And remember… all our public panel events are free.

    The speaker list this year is again divided between Italian and English panels. Among our international writers are Ian Rankin, Mick Herron, Lucy Worsley, Mark Billingham, Elly Griffiths, Clare Armstrong and Abir Mukherjee. Ian will be leading a Scottish delegation discussing Jekyll and Hyde with Denise Mina and the husband and wife team Ambrose Parry. Lucy will be headlining a discussion about Agatha Christie in the fiftieth anniversary of her death.

    Plus you’ll find a bunch of familiar faces, Erin Kelly, Anna Mazzola, Barbara Nadel, Philip Gwynne Jones, and me too. Leading pathologist Suzy Lishman will be back discussing real-life poison cases with Renaissance historian Catherine Fletcher and Hallie Rubenhold, whose most recent book is Story of a Murder, the Wives, the Mistress and Dr Crippen. You can browse the author list here — though it’s not quite complete.

    We want Venice Noir to be unlike any other crime festival in the world, so we’ll also be taking a look at crime stories from the Roman era. Our experts for that are Peter Stothard, whose work includes the non-fiction account of the hunt for Julius Caesar’s assassins, Emily Gowers, Professor of Latin Literature at the University of Cambridge and Jo King who holds the chair in Ancient History at Cambridge and is the author of How the World Made the West.

    We’re now working on putting together a programme for this stunning array of authors and experts. If you’d like to follow what’s to come — and trust me we have some real surprises still in store — then sign up for the newsletter on the website so you’ll be the first to know. In due course you’ll also learn how to book a seat for our panels which, given the lineup we have, may be essential if you want to make sure you get in.

    We’ve added another wonderful Venice location to our festival venues. This year we will be in the historic Ateneo Veneto, above, with its paintings by Tintoretto and Veronese among others, the Ridotto of the Hotel Monaco, Casanova’s original casino, and the beautiful Apollonian Halls of La Fenice opera house, below

    We also have festival discounts on offer at five of Venice’s finest hotels — browse the list here.

    I’ll be back in Venice shortly for more planning… we promised you a bigger, bolder and better festival this year. And thanks to all our supportive sponsors and authors I’m sure we can deliver.

    Hope to see some of you in November.

  • Meet Owen Findlay: the new voice of Arnold Clover

    Meet Owen Findlay: the new voice of Arnold Clover


    It’s time to unveil a new narrator for my Arnold Clover books. I’ve been incredibly lucky to have Richard Armitage as the voice of my work going back more than a decade to the Audible days of Hamlet and Romeo and Juliet.

    After that Richard made a stunning job of The Garden of Angels and the first three Clover books. But happily Richard’s career has gone sky-high since then, with acting, writing and a busy round of appearances. It’s amazing he’s found time in the past for me at all.

    I’m really grateful for all the support he’s shown over the years, and the lessons I’ve learned about storytelling listening to him narrate and watching him act.

    But time moves on so meet Arnold’s new voice… the very talented Owen Findlay. 


    Owen has voiced a number of audiobooks and dramas for Audible, Bolinda, BBC Radio 4 and others; appeared on stage with the RSC, National Theatre and Shakespeare’s Globe; and on screen with BBC Films.

    He’s also well versed in Italian too, so a perfect voice to take over the role of bringing my Venetian tales to life.

    And here you can listen to Owen at work…

    The audiobook of The Devil in Dorsoduro will be published simultaneously with the ebook and print editions on May 7, by WF Howes, who’ve been bringing me out in audio for something like a quarter of a century now and always do a fantastic job. You can pre-order in all the usual places now including Audible.